Fringe Online

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Fringe Online 2021

Adventurous

A play gently subverting all expectations. Feeling Adventurous? You should.


and breathe…

Yomi Sode’s hybrid theatre is a compelling immersion of witness and poetry: we need more of it.


Anton Chekhov

The nearest we’ll come to meeting Chekhov. In Pennington’s masterclass.


Aphrodite

Dazzling: wise, clever twists about choice, male determination, and consequence.


Between the Cracks

Another hugely stimulating triple-hit from Creative Associates.


Branching Out

Three very fine and one outstanding work, Scratches – the best kind of play on depression, self-harm, black holes. Because it’s screamingly funny and deeply connected to why we do theatre.


Braw Tales

An innovative and bright response to the pandemic in cartoon and monologue that is as diverse as great to watch.


Eng-er-Land

Writer/performer Hannah Kumari leaves you alert and exhilarated


Hole

Don’t miss the chance to see this transcendent actor prove she possesses another dimension altogether.


How I Learned to Swim

Ends in a hush of absorption as you lean in for every word.


Hymn

Its potency lies in a fine peeling apart by Adrian Lester and Danny Sapini, and the language that bridges it.


I Wish My Life Were Like a Musical

Flawless, a stunning pocket-sized musical you really must see.


Icarus

After all the gods and their lack of choice, we come to the final instalment, the human dimension. Where we have one. A heartfelt, satisfying finish.


Illusions of Liberty

A finely-calibrated solo play of what it’s like to enter that tunnel of near-undiagnosable but very real illness. Corinne Walker’s both authoritative and quicksilver. Do catch it.


Jew… ish

One of the wittiest but also truthful comedies about love, identity, sexual politics and gefilte fish I’ve seen


Leaves

This haunting 45-minute tale is a superb small gem from Jermyn Street’s Footprints Festival.


Living Newspaper #3 Royal Court Theatre

Hot off Sloane Square a team of writers, actors and creatives twist the news to truth


Living Newspaper #4

We need this. Watch.


Living Newspaper #5

Like all the Royal Court’s Living Newspaper series, we need this. Watch.


Living Newspaper #6

Like all the Royal Court’s Living Newspaper series, we need this. Watch what this does with the future


Lockdown, Taboo and You

Four fine lockdown plays on zoom


Love in the Time of Corona

The finest drama to emerge from the pandemic


New Moon Monologues April

As we saw in March, don’t be lulled by friendly colours and fluffy fonts. Queens of Cups again proves they’re a company to revel with and wait for heart-stopping reveals


On Arriving

On Arriving takes sixty minutes it seems we’ve been immersed in a Greek Tragedy of ninety. See it.


Orpheus

A terrific reinvention, bringing gods and heroines up from the death of myth to an altered world.


Outside

As with Inside, Outside not only fits us, they help us to move on, and become in their modest, unassuming and utterly transcendent way, part of how we learn to.


Persephone

Dazzling: wise, clever twists about choice, male determination, and consequence.


Plays for Today

A truly absorbing series. And free to stream on Soundcloud.


Push and Pull

A quietly thrilling evening, after it goes off with a bang and a bear.


Pygmalion

The most profound reinvention of this particular myth I’ve seen


Sacrament

A revelation, superbly written and acted. Comparisons have been made with A Girl Is A Half-formed Thing. I can think of no higher praise either. You must see this.


Saviour

A remarkable one-person play, performed to literal fever pitch by its creator.


The Girl Who Was Very Good at Lying

Andrews vividly conveys what it is to be an undone thing, someone unravelling tales to live.


The Rape of Lucrece

The definitive way to experience this troublingly great, disturbingly unresolved poem


Two Horsemen

The glaring energy of this piece can’t disguise how it strikes profundity in its funny-bone.


Vagabonds My Phil Lynott Odyssey

An original off-kilter approach to elegy, tribute and becoming yourself.


Vespertilio

Vespertilio marks Barry McStay’s emergence as a writer of distinction. Anything he writes now should be looked out for.