FringeReview UK

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FringeReview UK 2018

Random Selfies

This is sweet, fleet story-telling with just the right amount of pitch and yaw for anyone to take, without it becoming too dark or didactic. Ten-year-old Lola’s engaging, and in Natalia Hinds’ hands utterly believable, energetically inhabited with a sense of fun clearly relished by this revelatory actor.


Strangers on a Train

This ATG production should reach anyone who’s curious about Warner’s rather different outcome to the original, which Highsmith herself, writing later, might well have approved of; I prefer it too.


There But For the Grace of God (Go I)

A rare instance of an actor knowing exactly how to direct himself. It’s a super-Fringe show well worth reviving, and Welsh clearly puts his life into it.