FringeReview UK 2018
Terry Johnson’s two-hander might seem a low-key hommage but his script’s brilliant. It’s a re-affirmation of Campbell’s comic epic theatre, and inspires you to look out for what his daughter Daisy might be bringing to us at the Brighton Festival.
A redefining farce in every way.
A play about amateurs no amateur company should even dare contemplate. There’s genius in the timing of all this. Outstanding.