FringeReview UK
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FringeReview UK 2018
As a gifted exploration of Electra’s themes and a transposition of them to 21st century values, this is as exhaustive, detailed and convincing as you’d wish.
We need such risk-taking theatre back. This outstanding production of Exit the King might just remind us how to get it.
Like the recent Suppliants, in a very different way, Medea Electronica asks just what we mean by Greek tragedy, what our conceptions of drama without music are. An essential experience.
Like so much from The Print Room, this feels like European theatre. And we need it more desperately than ever.
By the end of this you’ll know far more about the banking sector than even Robert Peston explains. Now go and play them for a fool.