FringeReview UK
Years: 2024 2023 2022 2021 2020 2019 2018 2017 2016 2015
FringeReview UK 2019
Over 50 years on, this still sets benchmarks. Its power to enthral, to appal can never date.
Hannah Morrish’s Helena shines in this achingly desperate, quietly beautiful production.
Original, raw, brilliantly funny and devastating. This production is Fleabag neat. Its harrowing streak of genius burns like a healing scar torn.
The triumph of this newly-energized production is bringing the darker Falstaff to a diverse audience
A beautifully-constructed play, small in compass, big in scope and deft at managing the transitions
Maud Dromgoole’s proved more than adroit, skilful, and deliciously risk-taking. A must-see.
Rotterdam’s an outstanding play about sexual identity, choices, and above all what it means to transition.
A superb ensemble piece. Of all dramas on these interesting times in America, it’s the one truly necessary.
A bewitching mix of deconstructive magic and fabulous therapy, it’s above all Grace Molony who brushes distinction into this already distinctive production.