FringeReview UK
Years: 2024 2023 2022 2021 2020 2019 2018 2017 2016 2015
FringeReview UK 2019
Over 50 years on, this still sets benchmarks. Its power to enthral, to appal can never date.
A revelation. At twenty-two Granville Barker’s a master in the making. Naomi Frederick’s sovereign in the title role.
Hannah Morrish’s Helena shines in this achingly desperate, quietly beautiful production.
With Angela Smith’s phrase ringing in our ears, there’s not going to be a better play anywhere that answers it. Do see it.
We’re unlikely to see a better production of this still rarely-performed disturber of ourselves.
A masterly, unsettling play that in this production never puts a foot wrong. And wrong-foots us all.
For a time you feel that beyond Churchill’s world, nothing else quite seems to exist.
The triumph of this newly-energized production is bringing the darker Falstaff to a diverse audience
An exemplary, scrupulous production so starkly contemporary, it makes Hunger contemporary forever
Anyone seeing this play will be grateful they’ll never feel quite the same way about London, young people or language again.
Maud Dromgoole’s proved more than adroit, skilful, and deliciously risk-taking. A must-see.
Unsettling enough to avoid instant classic status, but outliving many that court it. A superb revival.
This production could draw out the poison of being dead serious in terminal bursts of laughter
Rotterdam’s an outstanding play about sexual identity, choices, and above all what it means to transition.
A superb ensemble piece. Of all dramas on these interesting times in America, it’s the one truly necessary.
The Dismissal of the Greek Envoys and The Laments
In nearly every way an outstanding pair of productions.
A triumph for all concerned. Juliet Stevenson even gains in stature. Icke’s last production could hardly go better than this.
The scalpel and scruple of class and coolness breaks into tragedy and gifts us three outstanding moments
Florian Zeller's masterpiece, in a production and central performance that would do it justice anywhere.
There’s nothing like the Exchange’s approach: their bi-lingual virtuosity burns questions.
A bewitching mix of deconstructive magic and fabulous therapy, it’s above all Grace Molony who brushes distinction into this already distinctive production.
This spectacular production beats with a fervour and purpose few adaptations achieve. Ellams has made Three Sisters new.
Total Immediate Collective Imminent Terrestrial Salvation
The most consistently satisfying work of Tim Crouch I’ve seen.
When We Have Sufficiently Tortured Each Other
This cast’s exemplary dedication deserves watching for their sheer performative belief.
