FringeReview UK
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FringeReview UK 2020
15 Heroines: 15 Monologues Adapted from Ovid
Groundbreaking. The smallest producing theatre in the West End through lockdown has become the largest.
This surely is the greatest Dream since Peter Brook’s landmark 1970 production.
Supremely worth it to see a pair so famous weighing equal in their own balance, perhaps for the first time.
A Coriolanus memorable for politics sinewed with personal forces: an active interrogation of democracy. And in Josie Rourke’s production Tom Hiddleston’s someone riven by intimations of his true self
In Michelle Terry’s quicksilver, quick-quipping Hamlet, much has been proved, from interpretive to gender fluidity in tragic action, that sets a privilege on being in at a beginning.
Completeness is just one reason to cherish this clean-driven clear-headed production
This magnificent revival poses even more urgent questions. A twitch on the thread for all of us.
A fleet traversal memorable for insights the company bring during and after their performance of it
The OFS are taking flight with the best scratch nights the Elizabethans never had.
See it and you’ll never think of the Shrew without this groundbreaking stab at the dreams of men.
We’re looking at a bright Book of Hours. Barrie Rutter’s done it profound service, adding a warmth and agency that opens up this pageant. This is hopefully just the first of many such he’ll bring to the Globe.
We’re privileged to see this rarely-performed work moulded by OFS. A play for our times.
Tamsin Greig’s extremes as Malvolia mark the first intimations of the terrible and define this production. The ground’s shifted.
