FringeReview UK 2021
Absorbing. With such an acting masterclass the play’s a bewitchingly-voiced fugue on the limits of belief and betrayal.
The nearest we’ll come to meeting Chekhov. In Pennington’s masterclass.
In rapid, elegant, idiomatically kerned language, Giles Terera proves himself a superb expositor of where it happens.
A finely-calibrated solo play of what it’s like to enter that tunnel of near-undiagnosable but very real illness. Corinne Walker’s both authoritative and quicksilver. Do catch it.
An absorbing drama, absorbingly acted and produced.
On Arriving takes sixty minutes it seems we’ve been immersed in a Greek Tragedy of ninety. See it.
A revelation, superbly written and acted. Comparisons have been made with A Girl Is A Half-formed Thing. I can think of no higher praise either. You must see this.