FringeReview UK

Genre Filter:

The best Part 2 we can imagine.

Original, bawdy, exploratory, seductive and elegaic in equal measure. A Faberge egg, continually hatching.

A wonderful score and musicians, above all Bea Segura’s titanic act of shrivelling, make this a must-see.

There’ll be nothing more blazing or relevant on the London stage this year.

The title role goes to Isobel Thom, making their professional debut: the greatest I’ve ever seen.

Another first-rank revival from JST, specialists in rediscoveries: a fitting end to Tom Littler’s tenure.

No simple swapping of heirs and originals, but a dream of the future by Seacole, or equally present dreams raking the past. Do see this.

A firecracker of a first play. Expect Molotovs.