FringeReview UK 2022
A great Hamlet almost realised
A wonderful score and musicians, above all Bea Segura’s titanic act of shrivelling, make this a must-see.
There’ll be nothing more blazing or relevant on the London stage this year.
The most convincing Much Ado for years
There’s many reasons to see Williams’ finest play. To realise our potential it’s not enough to have dreams, but for someone to show us what those dreams could be.
A reading of Adrian Schiller’s Shylock as probing as other great productions of the past decade; and of Sophie Melville’s nearly-rounded, brittle Portia.
Pamela Carter’s schoolboys embody human connectedness, warmth, a final camaraderie before the chill of history. Unmissable.
Not so much an event as a concentration of Errollyn Wallen’s genius celebrating the life of blind composer Maria Theresia van Paradis, in Graeae’s world-class production
Packs a mighty question that can still knock you off balance.