
Review: Simon Watterton Piano Recital
Another pianist to welcome back before he gets snapped up, even in this climate. Superb.
Review: Simon Watterton Piano Recital
Another pianist to welcome back before he gets snapped up, even in this climate. Superb.
Review: Sam Brown A John Dowland Lute Recital
A climactic Fantasia lifts the atmosphere of this recital to something quite apt. A superb debut.
Review: Blood Brothers
The blend of definitive and new cast members in a recent classic has overwhelming impact: as story, as lyric fable, as terrible moral for these distracted times.
Review: You Stupid Darkness!
Bleakly funny, with flickers of tragedy, to make you see how redemptive kindness is
Review: Sirius Chau and Irena Radic Flute and Piano Recital
A terrific journey. We need more of this.
Review: Roots
An Edinburgh International Festival, HOME Manchester, Spoleto Festival USA & Theatre de la Ville Paris co-production
Review: Yaqi Yao, Violin and Cheung Man Lok Piano Recital
A memorable debut, with welcome original repertoire
Review: Three Sisters
This spectacular production beats with a fervour and purpose few adaptations achieve. Ellams has made Three Sisters new.
Review: Swive
A Hilliard rather than Holbein, it’s the velocity of Elizabeth’s survival that enthrals
Review: Priscilla, Queen of the Desert
The three lead actors, divas and a superb cast give this production its beating pink heart.
Review: František Brikcius Solo Cello Recital
A superb recital with unique material, played with distinctive authority.
Review: Caroline Colingridge and Margaret Grimsdell Flute and Piano Recital
A truly exploratory programme, with not one standard in it.
Review: Alan Parmenter and Howard Blake Violin and Piano Recital
Howard Blake playing his own compositions beyond The Snowman, made this treasurable
Review: Sussex Musicians Concert
Singers set a few benchmarks and piansit Kevin Allen in particular ferociously adventuring to fresh sonorities
Review: As You Like It
For Lucy Phelps and Sophie Khan Levy above all, this is a joyful As You Like It.
Review: A Letter to a Friend in Gaza
Amos Gitai’s curating hope from the ruins, impelling the audience to construct a narrative.
Review: Anne Allen and Charles Matthews Flute and Piano Recital
Anne Allen and Charles Matthews are superb, stylish recitalists
Review: All’s Well That Ends Well
Hannah Morrish’s Helena shines in this achingly desperate, quietly beautiful production.
Review: Riya and Berniya Hamie Cello and Piano Recital
These sisters comprise two of a rising new generation.
Review: Classical Folk Recital
A gently melancholic concert, with moments to touch any soft-grained heart.
Review: A Midsummer Night’s Dream
This surely is the greatest Dream since Peter Brook’s landmark 1970 production.
Review: New Music Brighton Concert, Friends Meeting House
Another sovereign afternoon from the most innovative regional new music group in the UK.
Review: Zoffany Ensemble Dvorak Piano Quintet No. 2 in A Op 81
The Zoffanys are sovereign performers, and this stands with the best chamber concerts I’ve heard at this venue.
Review: What Girls Are Made Of
Cora Bissett’s set the bar thrillingly high for a new genre. Who could follow her?
Review: Antonio Oyarzabal Piano Recital
These intelligent programmes make Antonio Oyarzabal’s recitals an occasion.
Review: A Midsummer Night’s Dream
A carnival riot of joy – with enough misdirection to evoke moonshine
Review: BBC Prom 47 Bach Organ Works, Bruckner Symphony 8 in C minor
Bach’s organ works on the Willis are thrilling in Michael Schonheidt’s hands. Andris Nelsons is exemplary, the Leipzigers uninhibited, agonized, overwhelming in Bruckner 8
Review: BBC Prom 46 Howell Elgar Knussen Weinberg
Sheku Kanneh-Mason is thrillingly intimate, matched by Mirga Grazinyte-Tyla’s lucid, energetic readings throughout.
Review: Chitty Chitty Bang Bang
It couldn’t be done any better and puts several touring shows to shame.
Review: The Doctor
A triumph for all concerned. Juliet Stevenson even gains in stature. Icke’s last production could hardly go better than this.
Review: As You Like It
A heartwarming revival. Jack Laskey, Bettrys Jones and Nadia Nadarajah have made a space for this As You Like It well beyond its initial moment last year.
Review: Brian Molley Quintet Play Jazz Samba – Celebrating a Masterpiece of Brazilian Jazz
Silky jazz from a quintet in the grove
Review: Swim
A dreamy piece of theatre combining storytelling, live music and visuals exploring grief, swimming and friendship.
Review: The Mill on the Floss
Stunning. This consummate, flawless production is an event for BLT and Brighton
Review: LIPS Ensemble
Consummate and pretty well flawless. Unique and uniquely lively in their field.
Review: Frisky and Mannish: Poplab
An hour inside Frisky & Mannish’’s ‘Poplab’ is a complete crowd-pleasing riot. Feel-good vibes only!
Review: Birth
A pitch perfect piece of physical theatre, exploring themes of family connection, parenthood and loss.
Review: Anne Hodgson and Nick Houghton Flute and Piano Recital
An absolutely first-class chamber recital in the middle of Brighton
Review: John Greening The Silence
The Crypt organisers as well as John Greening really have hit on an ideal recitation.
Review: Fiver
An enchanting speed-read of our connectedness, a reminder that a fiver can change your life. Irresistible.
Review: Paul G Terry Piano Recital
Terry has his own accent, should be enjoyed by many. Mesmerising for a summer’s day.
Review: Chapel Royal Clelia Iruzun and Yoko Ono Four Hands Piano Recital
A superb recital of mainly rare but fascinating repertoire