Review: Persephone

Dazzling: wise, clever twists about choice, male determination, and consequence.


Review: Inside

They’re live. And Orange Tree. Catch them.


Review: New Moon Monologues March

Don’t be lulled by the friendly colours and fluffy fonts. Queen of Cups is absolutely a company to watch, and its showcase productions are literally unmissable


Review: Adventurous

A play gently subverting all expectations. Feeling Adventurous? You should.


Review: Plays for Today

A truly absorbing series. And free to stream on Soundcloud.


Review: Hymn

Its potency lies in a fine peeling apart by Adrian Lester and Danny Sapini, and the language that bridges it.


Review: Shook

If you’ve an appetite for exceptional new writing, just see it.


Review: Public Domain

At 65 minutes it’s worth anyone’s time and emphatically money.


Review: The White Hart

Winner of an OnComm award from Off West End, another Upton triumph by stealth


Review: Nine Lessons and Carols

The Almeida’s another country. They do shows differently there. A bold communing of theatre stories with the fresh poignancy of what’s happened during 2020


Review: Death of England: Delroy

Renders huge black experience into a narrative that bears it, because so well-constructed, so character-driven and so inhabited by Michael Balogun whose blaze of awakening is both benediction and clarion.


Review: The New Tomorrow

There’s a generosity here, a big hug. Theatre itself affirms the value of life to those who might yet shape it for the better.


Review: Crave

One of the most important productions since lockdown.


Review: A Coward Coupling

Family Album is possibly the most disastrous production this already unfortunate play has ever sustained. More, Coward would declare it’s a travesty; of genius. Hands Across the Sea is pitch-perfect in a slightly outré version of what Coward meant.


Review: Inside This Box

Showcases future names and above all is defiant with hope and agency


Review: Shoe Lady

Katherine Parkinson inhabits that breaking through the office crust asphyxiating us


Review: Waiting for Hamlet

A delight for the ears as two haunting characters of Shakespeare’s Hamlet explore things Kingly before one makes his final, and first entrance.


Review: The Skin Game

Treat this as a wonderful premiere you’ve not had to stir for.


Review: Barber Shop Chronicles

Barber Shop Chronicles is a breath-taking revelation for those of us who had small inkling of a world in miniature.


Review: A Separate Peace

Stoppard looks at society’s phantom limb ethic. Even when it’s gone it aches, and it aches to have someone opting out.


Review: Cyprus Avenue

Devastating drama about the DNA of bigotry played as surreal farce.


Review: Amsterdam

Did I say sucker-punch? It’s what the Orange Tree do every time.


Review: Wild

Theatrically the most thrilling end to any Bartlett play


Review: I and You

Will leave you in a heap and wonder what else Lauren Gunderson has written that comes near this.


Review: Afterplay

Miraculously-attuned. A wafer-thin but absolutely genuine slice of Chekhov. Do see it.


Review: Shoe Lady

Katherine Parkinson inhabits that breaking through the office crust asphyxiating us


Review: Lipstick

Performances and play that should turn us upside down. Do make a detour for this brave. tremulously beautiful coming of love.


Review: Nora

Stef Smith’s brilliant riff on Ibsen’s original is revelatory


Review: The Tin Drum

Nico Holonics’ blaze-through avatar is unlikely to be surpassed.


Review: Far Away

Our greatest playwright since Beckett and Pinter. An outstanding revival. Hesitating?


Review: The Dog Walker

I want to know what life, not just Paul Minx will do with his characters afterwards. So will you.


Review: The Good Dad (A Love Story)

Intricate, fiercely intelligent, this play packs far more force than some twice its length. Sarah Lawrie’s intensity is magnificent.


Review: Death of England

This work never loses its charge, its own rapturous arrival Spall gives the performance of his career so far.


Review: all of it

A miniature classic of snatched meaning. Catch it.


Review: Ghost Stories

Don’t waste your ticket. Stay to the end if you dare.


Review: Scenes with girls

Scenes with girls owns a buzz, a life, a difference about loving that gives it a sliver of unique.


Review: Teenage Dick

Ambition treads on teenage dreams and their devastation.


Review: Swive

A Hilliard rather than Holbein, it’s the velocity of Elizabeth’s survival that enthrals


Review: A Kind of People

Bhatti nails truth to the doors of injustice. It’s well we heeded it.


Review: Hunger

An exemplary, scrupulous production so starkly contemporary, it makes Hunger contemporary forever


Review: #We Are Arrested

Peter Hamilton Dyer carries this celebration of the conscience to be fully human


Review: {BLANK}

Compelling and bleakly miraculous


Review: Shook

If you’ve an appetite for exceptional new writing, just see it.


Review: Hansard

A masterfully conceived vehicle to stalk politics now


Review: Shadows

Speaks with a fierce innocence


Review: 4.48 Psychosis

Do see this bold, beautiful attempt on Kane’s masterpiece


Review: Blood Wedding

In several ways, this is about as good as it gets.


Review: Amsterdam

Did I say sucker-punch? It’s what the Orange Tree do every time.


Review: Fleabag

Original, raw, brilliantly funny and devastating. This production is Fleabag neat. Its harrowing streak of genius burns like a healing scar torn.


Review: Pilgrims

Elinor Cook’s always worth a diversion for. This drama deserves friends and revivals.


Review: The Wasp

This is more than a first-rate revival. It’s outstanding. See it.


Review: salt.

We’re offered ‘salt to heal, salt to remember… above all for your wounds.’ Take it.


Review: White Pearl

The finest new play from the Court this year, gleaming and deadly


Review: Betrayal

A sovereign production: one of Pretty Villain’s finest.


Review: Sary

The imaginative force, language and unsettled serenity of this work demands a sustained run.


Review: Freak

A play everyone should see – and a first-rate revival.


Review: Caliban’s Codex

a superbly realised piece, vying with Carding’s own outstanding Quintessence.