FringeReview editor Paul Levy explores the apparent paradox between being creative and disruptive, unpredictable and flexible in making artistic work, but then also seeking predictability and stable repetition when doing a tour for a month long fringe run. How do we stay creative and in unpredictable flow but also be confident that every show a reviewer might come to the best chance of getting a top review?
Or should such thoughts even matter to us?
