Years: 2020 2019
Brighton Year-Round 2020
Family Album is possibly the most disastrous production this already unfortunate play has ever sustained. More, Coward would declare it’s a travesty; of genius. Hands Across the Sea is pitch-perfect in a slightly outré version of what Coward meant.
With Baum’s direction they and we discover new thresholds, new anatomies
A theatrical arcady on our doorstep
Richly charactered, thoroughly absorbing.
Heartwarming, giddyingly vital yet clear with its own truth.
The final moments turn a superb revival into a masterpiece.
The blend of definitive and new cast members in a recent classic has overwhelming impact: as story, as lyric fable, as terrible moral for these distracted times.
A small masterclass in storytelling from the ground up
Three friends. Two decades. One unbreakable bond.
Don’t waste your ticket. Stay to the end if you dare.
A tedious brief tragedy? King John is fun… It’s been said.
A stylishly visceral production.
A blissfully alive production.
Like The French Lieutenant’s Woman, there are now two endings to Quartet. You must see this if you know the film only, or care about music, ageing, friendship and achingly lost love.
What happens when your life as you know it stops, and then starts again.
A deeply revolving production.
An Edinburgh International Festival, HOME Manchester, Spoleto Festival USA & Theatre de la Ville Paris co-production
A sublimely silly farce. BLT deliver with panache and punch. Believe the whispers.
Mark Wilson and his team triumph in a whisper, and a restraining cry.
A triumph. Nearly flawless, it must be seen by anyone interested in contemporary drama.
A literally thrilling two-plus hours
We’re privileged to see this rarely-performed work moulded by OFS. A play for our times.