Fringe Online
Years: 2020
Fringe Online 2020
Brenton powerfully concertinas a continent’s politics and one artist’s refraction of it. Wong is outstanding
This surely is the greatest Dream since Peter Brook’s landmark 1970 production.
Stoppard looks at society’s phantom limb ethic. Even when it’s gone it aches, and it aches to have someone opting out.
In the most spectacular production imaginable, Lucian Msamati’s supremely crafted lead sets off the quicksilver of his rival Adam Gillen.
Supremely worth it to see a pair so famous weighing equal in their own balance, perhaps for the first time.
Barber Shop Chronicles is a breath-taking revelation for those of us who had small inkling of a world in miniature.
Nothing so convincing has been done with this legend. It deserves many revivals.
A fascinating take on a fast paced modern play that truly picks apart the commercialization of our employee status.
A Coriolanus memorable for politics sinewed with personal forces: an active interrogation of democracy. And in Josie Rourke’s production Tom Hiddleston’s someone riven by intimations of his true self
The acting scales cliff-edges of unreason. One remembers the scale of betrayal and loss of redemption
Frankenstein (alternate version)
The acting scales cliff-edges of unreason. One remembers the scale of betrayal and loss of redemption. Benedict Cumberbatch here is Frankenstein, Jonny Lee Miller the Creature. The alternate version aired first is still available.
A scorching autobiographical tale of abuse that manages to tell us the story of the abused as well as introduce us to the teacher responsible.
In Michelle Terry’s quicksilver, quick-quipping Hamlet, much has been proved, from interpretive to gender fluidity in tragic action, that sets a privilege on being in at a beginning.
Will leave you in a heap and wonder what else Lauren Gunderson has written that comes near this.
Joseph And The Amazing Technicolor Dreamcoat
A salutary reminder of how a great musical talent and collaboration started
A superb realization of Lorraine Hansberry's unfinished masterpiece - a classic of Ibsenite proportions
Epic eavesdropping casts that ultimate spell: reading ourselves by flashes of lightning.
Completeness is just one reason to cherish this clean-driven clear-headed production
Helen McCrory plumbs the erotic despair of Hester Collyer’s abandoned woman in this absorbing revival of Rattigan’s masterpiece.
This magnificent revival poses even more urgent questions. A twitch on the thread for all of us.
A fleet traversal memorable for insights the company bring during and after their performance of it
The Albert Hall’s sovereign production, unlikely to be surpassed particularly with the special encore.
The OFS are taking flight with the best scratch nights the Elizabethans never had.
We’re looking at a bright Book of Hours. Barrie Rutter’s done it profound service, adding a warmth and agency that opens up this pageant. This is hopefully just the first of many such he’ll bring to the Globe.
Do catch it, and match the feelgood price with nudging theatres towards opening night.
Tells us more truthfully then any play has, the heroism that hardens, the sacrifice that endures.
First-rate theatre. In Joshua James’ Ben Gunn and above all Pasy Ferran’s Jim, we see stars rising quicker than Arthur Darvill’s superb Silver can point them out.
Tamsin Greig’s extremes as Malvolia mark the first intimations of the terrible and define this production. The ground’s shifted.
A delight for the ears as two haunting characters of Shakespeare’s Hamlet explore things Kingly before one makes his final, and first entrance.
Outstanding. Surely the definitive study of the dignity of physical labour, and breaking of its amity.
