FringeReview UK 2020
Victoria Hamilton still dominates, but Albion’s a fine ensemble piece. Goold has given Albion the air it needs: an unsettling parable on forcing an identity of ourselves.
A miniature classic of snatched meaning. Catch it.
This work never loses its charge, its own rapturous arrival Spall gives the performance of his career so far.
Scenes with girls owns a buzz, a life, a difference about loving that gives it a sliver of unique.
Ambition treads on teenage dreams and their devastation.
You hope, unfairly, for a sequel.
I want to know what life, not just Paul Minx will do with his characters afterwards. So will you.
Intricate, fiercely intelligent, this play packs far more force than some twice its length. Sarah Lawrie’s intensity is magnificent.
A pitch-perfect revival. Even down to the dial-up screech.