FringeReview UK 2019
Over 50 years on, this still sets benchmarks. Its power to enthral, to appal can never date.
This is a superb revival; its tinted mirror keeps burnishing.
Absorbing. A must-see.
Hannah Morrish’s Helena shines in this achingly desperate, quietly beautiful production.
If only one could see it twice: but try it at least once.
Still masterly, and in this rare revival, a must-see.
Devastating drama about the DNA of bigotry; and it all starts in surreal farce.
Original, raw, brilliantly funny and devastating. This production is Fleabag neat. Its harrowing streak of genius burns like a healing scar torn.
The triumph of this newly-energized production is bringing the darker Falstaff to a diverse audience
In all the flurry of Fringe, don’t miss this gem.
I’ve not seen a festival of short plays to compare with these.
It’s a quiet heartbreaker, with stoicism and love the only answers. Do see it.
A beautifully-constructed play, small in compass, big in scope and deft at managing the transitions
Maud Dromgoole’s proved more than adroit, skilful, and deliciously risk-taking. A must-see.
An outstanding production
A superb revival.
Rotterdam’s an outstanding play about sexual identity, choices, and above all what it means to transition.
‘What are you gonna do now…. clap?’ Yes, standing.
Speaks with a fierce innocence
A superb ensemble piece. Of all dramas on these interesting times in America, it’s the one truly necessary.
What better way to spend 105 minutes in the city?
A consummate production of a memorably dark comedy
A play you want to return to.
A bewitching mix of deconstructive magic and fabulous therapy, it’s above all Grace Molony who brushes distinction into this already distinctive production.
A groundbreaking production. Even outside its unique terms it’s outstanding.
An outstanding production, rescuing a classic from attic shadows.
Highlight how good the play is just where we’re not looking for it
One of the finest LLT productions I can remember
A really worthwhile production with a few missed opportunities
The finest new play from the Court this year, gleaming and deadly