FringeReview UK 2019
Peter Hamilton Dyer carries this celebration of the conscience to be fully human
Did I say sucker-punch? It’s what the Orange Tree do every time.
In several ways, this is about as good as it gets.
We’re unlikely to see a better production of this still rarely-performed disturber of ourselves.
It must be seen
Again, it must be seen
It’s unlikely we’ll get a cleaner version, or a more absorbing production any time soon
Cusack and McCormack give the performances of their lives
They compel attention, they demand we follow every sigh
Rodrigues is a dramatist we need to see far more of.
Speaks with a fierce innocence
A triumph for all concerned. Juliet Stevenson even gains in stature. Icke’s last production could hardly go better than this.
Florian Zeller's masterpiece, in a production and central performance that would do it justice anywhere.
A groundbreaking production. Even outside its unique terms it’s outstanding.
Almost stupefying, but outstanding.
An explosively powerful play
We’re launched into a necessary world