FringeReview UK 2020
The great discovery was the multi-roling Marcus Lovett, sexy and lethal, able to attack several roles and convince you he was born for them, even into them.
A thoroughly enjoyable period-style musical.
Easily the finest production we’ll get
A sovereign production, unlikely to be equalled for the foreseeable
A salutary reminder of how a great musical talent and collaboration started
One of the most fascinating dark-hued musicals Lloyd-Webber’s written
The Albert Hall’s sovereign production, unlikely to be surpassed particularly with the special encore.
Phenomenal singing all round. A more than solid recommendation for that alone.