FringeReview UK 2019
A phenomenally well-written first play
An exciting initiative showcasing new work by womxn
Funny, sassy, disturbing, necessary.
Thoroughly absorbing, full of walking shadows who throw vivid questions.
You must see this.
We’re unlikely to see a better production of this still rarely-performed disturber of ourselves.
Devastating drama about the DNA of bigotry; and it all starts in surreal farce.
A fine piece, skidding along silicon into our dark
Riveting must-see revival of Mamet's breakthrough play
I’ve not seen a festival of short plays to compare with these.
Visceral and sometimes very very funny. Then not. Essential viewing.
Yet again NVT deliver small gems of Americana. See it.
Maud Dromgoole’s proved more than adroit, skilful, and deliciously risk-taking. A must-see.
It’s unlikely we’ll get a cleaner version, or a more absorbing production any time soon
Elinor Cook’s always worth a diversion for. This drama deserves friends and revivals.
A savage anointing, a revelatory reading.
Rodrigues is a dramatist we need to see far more of.
We’re offered ‘salt to heal, salt to remember… above all for your wounds.’ Take it.
‘What are you gonna do now…. clap?’ Yes, standing.
A searing new talent.
It really is purrfect for summer
In nearly every way an outstanding pair of productions.
A play you want to return to.
Florian Zeller's masterpiece, in a production and central performance that would do it justice anywhere.
A brave and beautiful play
13.10 is a good lunchtime to watch a Mam’s legend in.
This cast’s exemplary dedication deserves watching for their sheer performative belief.
The finest new play from the Court this year, gleaming and deadly