FringeReview UK 2019
A phenomenally well-written first play
Funny, sassy, disturbing, necessary.
Thoroughly absorbing, full of walking shadows who throw vivid questions.
You must see this.
We’re unlikely to see a better production of this still rarely-performed disturber of ourselves.
Devastating drama about the DNA of bigotry; and it all starts in surreal farce.
Riveting must-see revival of Mamet's breakthrough play
I’ve not seen a festival of short plays to compare with these.
Visceral and sometimes very very funny. Then not. Essential viewing.
Yet again NVT deliver small gems of Americana. See it.
Maud Dromgoole’s proved more than adroit, skilful, and deliciously risk-taking. A must-see.
It’s unlikely we’ll get a cleaner version, or a more absorbing production any time soon
A savage anointing, a revelatory reading.
We’re offered ‘salt to heal, salt to remember… above all for your wounds.’ Take it.
A searing new talent.
Florian Zeller's masterpiece, in a production and central performance that would do it justice anywhere.
13.10 is a good lunchtime to watch a Mam’s legend in.
This cast’s exemplary dedication deserves watching for their sheer performative belief.
The finest new play from the Court this year, gleaming and deadly