FringeReview UK

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FringeReview UK 2019

A Letter to a Friend in Gaza

Amos Gitai’s curating hope from the ruins, impelling the audience to construct a narrative.


Ali and Dahlia

A phenomenally well-written first play


Amsterdam

Did I say sucker-punch? It’s what the Orange Tree do every time.


Blood Wedding

In several ways, this is about as good as it gets.


Creditors

We’re unlikely to see a better production of this still rarely-performed disturber of ourselves.


Don’t Dress for Dinner

For a farce there’s only one spot of monotony. That’s how uniformly outstanding this is.


Europe

Europe’s border challenges have rarely been realized with this power.


Mary Stuart

It must be seen


Mary Stuart

Again, it must be seen


Miss Julie

It’s unlikely we’ll get a cleaner version, or a more absorbing production any time soon


My Brilliant Friend Parts One and Two

Cusack and McCormack give the performances of their lives


Peter Gynt

In McArdle’s irresistible performance you’re not likely to see a finer Gynt.


Rosmersholm

They compel attention, they demand we follow every sigh


Sadness and Joy in the Life of Giraffes

Rodrigues is a dramatist we need to see far more of.


Tartuffe

Prepare to be Tartuffed.


The Dismissal of the Greek Envoys and The Laments

In nearly every way an outstanding pair of productions.


The Doctor

A triumph for all concerned. Juliet Stevenson even gains in stature. Icke’s last production could hardly go better than this.


The Father

Florian Zeller's masterpiece, in a production and central performance that would do it justice anywhere.


The Flies

There’s nothing like the Exchange’s approach: their bi-lingual virtuosity burns questions.


The Hunt

An outstandingly theatrical re-visioning of a film


The Lady From the Sea

A groundbreaking production. Even outside its unique terms it’s outstanding.


The Lehman Trilogy

Almost stupefying, but outstanding.


The Son

An explosively powerful play


Three Sisters

This absorbing production keeps growing in the mind, like to take root.


Vassa

A really worthwhile production with a few missed opportunities


Youth Without God

We’re launched into a necessary world