FringeReview UK 2016
Mesmerising, heart-rending concert-cum-narration of a child’s journey through violin lessons to auditioning in Auschwitz, and beyond as told through his eyes.
Arguably, no single person in English theatre has a better understanding and presents a fuller expression of physical theatre than George Dillon. His vocal range is phenomenal whilst his physical presence is captivating. Superlatives become redundant.