In Episode 4, Deborah Nicholson’s special interview series with theatre and show makers presenting work that is not in the audiences’ first language, Deborah talks to Cindy from Boom Boom Battle of the Big Bad Bosses. Do audiences need to understand other languages at all to enjoy a fringe show?
“Building on last year’s electrifying, ‘Highly Recommended’ (FringeReview.co.uk) production, Hong Kong’s pioneering troupe presents another captivating non-verbal a cappella experience. Rumors swirl of a fierce musical showdown as big bosses gather – swapping weapons for rhythmic beats and Sheng melodies, a traditional Chinese instrument. Leaders wield song, vocal artistry, and body percussion, weaving legendary tales and epic rivalries – with only human voice, Sheng sounds and movement. This genre-defying spectacle transforms tradition into an unforgettable confrontation of music, choreography and storytelling. Witness where legend and humour collide in a vibrant, epic encounter!”
She also discusses the show Sound Strokes: A Harmonious Blend of Chinese and Scottish Music, playing at theSpaceUK, with Wan Xing.
Following the success of Waves of Tradition last year, Wan Xing, Gregor Black and Eleanor Dunsdon return with a vibrant intercultural programme. The expressive sound of the Chinese guzheng meets Scottish musical traditions inspired by the photographic scroll of Qiu Yangzi. Drawing on the natural forces that shape the art of writing, water, air and fire, the music traces flowing lines, rhythm, balance and movement in sound. Through musical dialogue, the artists reveal resonances between Eastern and Western traditions, inviting audiences to experience the spirit of Chinese calligraphy through sound.
Here are the other episodes in this series:
