Brighton Fringe 2022
Superb revival of Charlotte Jones’s play about two women incarcerated for fifty years for bring different. With a standing ovation of such force that convention had to be broken with the actors forced back on stage.
Raine balances articulate ferocity with its opposite: a broken plea. Scott Roberts’ revival improves on the NT premiere. In his hands Consent’s a small classic.
As a condensation and enactment of Woolf’s seminal text this can’t be improved on. The outstanding one-person show I’ve seen this Fringe.