Brighton Year-Round
Years: 2024 2023 2022 2021 2020 2019
Brighton Year-Round 2024
Mark Burgess and his students should feel immensely satisfied. And of course the students themselves divinely dissatisfied as they develop their craft.
What brings this musical home is the drawing-together of threads that hang loose in Act One. And finally you believe in a story that doesn’t flinch from darkness and sings its distress. Thoroughly enjoyable.
This is the finest Christie production I can remember. If you’re not a Christie fan, do see this anyway: it’s far more than a whodunnit.
The last ten minutes in particular are the silliest stuff: which is why it works. Soon more of the show will tighten and we’ll see that quality retro-fit.
Drop the Dead Donkey: The Reawakening
This is as fresh as an AI paint set, and far more transgressive than the original. The fizziest, most outrageous assault on common decency since – I’ll leave it to the gibbons. A must-see.
For Entertainment Purposes Only
Philip Ayckbourn’s songs are the heart of this collection. It’d be thrilling to see a full musical here; and staged in London. Enthusiastically recommended, there’s gems, with more of Ayckbourn’s elegiac sensibility than I’ve ever seen. More of this please.
Assured, idiomatic performances. And Martin McDonagh’s distinction resonates in a manner peculiar to him alone. A must-see for anyone in Sussex.
John Fowles adapted Mark Healy The French Lieutenant’s Woman
This is BLT. How they manage it might stupefy a newcomer. A must-see.
It’s a phenomenal feat and even if you know Macbeth, it’s still a must-see for how a quintessence can be dusted off.
Cook and team have shown commendable disregard for comfortable options, sharing a rediscovery.
Neil Crossland Piano Recital, Unitarian Church, New Road Brighton
All in all an outstanding recital. Neil Crossland’s piano recital at the Unitarian Church is again on another level
You’re not going to see anything this special in most (if any) revivals, however luxury-cast. In stripping-back, then regrowing a complete ensemble with even lesser songs, this is the most complete Oliver! we’re likely to see.
In short, a fabulous example of British talent, now endangered, bringing quadruple threat to a magnificent production. Not all such mainstream shows on tour even approach outstanding, but this truly is.
St Nicholas Duo Brikcius 2 Cello Recital
Overall a richly satisfying recital, letting us into worlds and sonorities, ways of listening to some music we knew, and much we didn’t, that I’d love to hear again. Superb.
St Nicholas Emmanuel Sowicz Guitar Recital September 11th 2024
A consummate guitarist already marked - by many - for greatness.
St Nicholas In Memory of Benjamin Cruft
It would be good to hear far more from this singular ensemble.
St Nicholas John Bruzon Recital
Sovereign performance, intriguing sidelights. An immensely satisfying recital.
St Nicholas Kwanita Kwan-Lam Lau & Guangmel Chen Schumann Violin Sonatas
To have these Sonatas played and one after another too, is an absolute privilege, almost a luxury
St Nicholas Louis-Viktor Bak Piano Recital
An exceptionally distinguished recital. We’re lucky to have Louis-Viktor Bak, and the Petroff piano might just tempt him – and others – to return.
St Nicholas Richard Bowen Guitar Recital
Recommended for languorous afternoons such as the burst of May outside.
St Nicholas Simon Carrey Fauré and Chaminade Recital
Simon Carrey is an exquisite and deeply-musical pianist, wholly in tune with Fauré. I’d love to have heard two hours of him, with an interval.
St Nicholas Soprano Mandy Ching Man Liu and Pianist Mia Miaoyan Li Recital
Liu has both power and joy, precision and range. Li as pianist has aplomb and discretion in equal measure
St Nicholas Sylvia Akagi and Peter Golden Recital
A wonderful afternoon, and in its way fortuitous, necessary, and healing.
Exemplary performances and production: with Charly Sommers outstanding as a woman hollowed out by everyone she knows. An auspicious full-length debut for Neil Hadley.
Spellbindingly translated to the stage and here with more power even than before. Don’t miss it.
This is the greatest one-man performance I’ve seen, said a Chekhov-immersed director of 45 years’ experience next to me. Yes.
One of the finest pianists to have played at St Nicholas in recent years.