Brighton Year-Round

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Brighton Year-Round 2024

ACT Graduate Showcase

A fascinating showcase, featuring actors we shall see again.


ACT Playwriting Course

Mark Burgess and his students should feel immensely satisfied. And of course the students themselves divinely dissatisfied as they develop their craft.


Constellations

This superb revival suggests Constellations will certainly travel for a long time.


Drop the Dead Donkey: The Reawakening

This is as fresh as an AI paint set, and far more transgressive than the original. The fizziest, most outrageous assault on common decency since – I’ll leave it to the gibbons. A must-see.


For Entertainment Purposes Only

Philip Ayckbourn’s songs are the heart of this collection. It’d be thrilling to see a full musical here; and staged in London. Enthusiastically recommended, there’s gems, with more of Ayckbourn’s elegiac sensibility than I’ve ever seen. More of this please.


Gareth Strachan Project M.E. The Rock Inn Pub

Strachan proves he can pull together serious talent who believe in his work. It’s a step up in all directions


Here You Come Again

As delicious and heartening as Parton’s last torch song.


John & Thomas

A gem in the making.


Muswell Hill

Cook and team have shown commendable disregard for comfortable options, sharing a rediscovery.


Neil Crossland Piano Recital, Unitarian Church, New Road Brighton

All in all an outstanding recital. Neil Crossland’s piano recital at the Unitarian Church is again on another level


Punchline

Destined to be a riveting play in Kay’s late-emerging canon.


Queers

All I can repeat is: see it.


Re:Incarnation

Powerhouse Afrodance celebrating the creative energy of Lagos, presented by Dance Consortium


Sao Paulo Dance Company

Sao Paulo Dance Company


Stoppard The Real Inspector Hound; Bartlett Contractions

As ever it’s a more worthwhile production than several professional ones we’re likely to see.


Taking Care of Baby

Exemplary performances and production: with Charly Sommers outstanding as a woman hollowed out by everyone she knows. An auspicious full-length debut for Neil Hadley.


The IT

A truly worthwhile production


The Vicar of Dibley

This is a must-see. If there’s a ticket, grab it.


Until We Sleep

Until We Sleep


Vanya

This is the greatest one-man performance I’ve seen, said a Chekhov-immersed director of 45 years’ experience next to me. Yes.