Brighton Year-Round

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A triumph of staging, fine acting and in Sarah Tansey a central performance to rival any Helene Alving I’ve seen.

Janette Eddisford has scored with this outrageously provocative, troubling satire that flays the German soul and hangs up the skins, stretched.

Pitch-perfect, a beautifully distilled world. A gem.

This is stark theatre. Some will hate Martin McDonagh, and some already love him. I’d say you must see this, where it all started.