Brighton Year-Round

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Brighton Year-Round 2024

ACT Graduate Showcase

A fascinating showcase, featuring actors we shall see again.


ACT Playwriting Course

Mark Burgess and his students should feel immensely satisfied. And of course the students themselves divinely dissatisfied as they develop their craft.


As You Like It

A first-rate outdoor revival, and easily rivalling what the Globe have to offer.


Confusions

BLT's revival triumphs.


Gareth Strachan Project M.E. The Rock Inn Pub

Strachan proves he can pull together serious talent who believe in his work. It’s a step up in all directions


Hangmen

Assured, idiomatic performances. And Martin McDonagh’s distinction resonates in a manner peculiar to him alone. A must-see for anyone in Sussex.


Helen Edmundson (adaptor) Anna Karenina

With Diane Robinson’s team there’s a vibrant retelling, superbly produced


John & Thomas

A gem in the making.


Let it Be a Tale

Tales from displaced peoples around the world.


Mixie

A revelatory premiere, consummately realised by Lewis’s team.


Oliver!

You’re not going to see anything this special in most (if any) revivals, however luxury-cast. In stripping-back, then regrowing a complete ensemble with even lesser songs, this is the most complete Oliver! we’re likely to see.


Punchline

Destined to be a riveting play in Kay’s late-emerging canon.


Salomé

Dramatically this is the most creative response I’ve seen live. Here, a director’s reach should exceed their grasp, or what’s a production for.


Stoppard The Real Inspector Hound; Bartlett Contractions

As ever it’s a more worthwhile production than several professional ones we’re likely to see.


The Welkin

The sheer acting catches fire: not a weak link. With their most ambitious production ID triumph. There’s nothing like them at full stretch.


Zero for the Young Dudes

"If you butcher my future, I will massacre your past"