FringeReview UK

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FringeReview UK 2024

555: Verlaine en prison

an insightful work into Verlaine's life


Blonde Poison

An outstanding production.


Giant

Giant is both a magisterial debut and a landmark work for braving a terrain littered with - as Tom says - "booby traps... And surprise surprise - boom."


Good-Bye

Wholly absorbing, wholly other, it’s a gem of the Coronet’s dedication to world theatre.


Here in America

A must-see.


Kafka

It’s Klaff’s improvisatory edge, founded on absolute technique and clear-headed text, that finds an exit where none was signposted. Magnificent.


Kunstler

An outstanding production persuading us such a self-narrating show can enthral as well as inform. A hidden gem.


Laughing Boy

Stephen Unwin directs his own play as a sweep of storytelling, laughter and devastation.


Princess Essex

The more we see of such uplifting, uproarious, yet probing works the better.


Sappho

A bit of theatrical democracy invoking pre-democracy crafts an exquisite irony for a rainy afternoon. Do see it.


Storming!

Stands alone, a wholly original twist to a growing alarm-bell of ethics.


The Girl in the Green Jumper

A first-rate production, with West-End values. A must-see.


The Good John Proctor

A valuable corrective to anticipate both real events and Arthur Miller’s take on Abigail Williams


The Hills of California

For nearly any other playwright, this would count as something of a masterpiece.


The Motive and the Cue

An extraordinary production. Thorne’s vision is capped by a riveting performance by Gatiss, who glows with the still, sad music of Gielgud’s humanity.


The Promise

Clare Burt’s Wilkinson, racking asthmatically across the play, is indelible, crowning the evening in an arc of sacrifice, Essential theatre-going, an education.


The Tailor of Inverness

A gem of a piece, that only brightens.


The Trumpeter

Verging on expressionism it’s extraordinary.


The Unlikely Secret Agent

How it ends I urge you to discover in this sizzling paean to humanity.


The Years

This production reminds us it’s often the least theatrical, least tractable works that break boundaries, glow with an authority that changes the order of things.


Turning the Screw

This six-hander is a 90-minute announcement of a major talent. An almost flawless play.