FringeReview UK
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FringeReview UK 2025
Emma Wilkinson-Wright is unnervingly close to the pulse of how real this is. A hidden gem.
There’s nothing more charming or endearing in the West End this summer.
Belly of the Beast should be a set text in schools. And should definitely tour there.
Billy Barrett and Ellice Stevens After The Act Royal Court Downstairs
Most of all this musical is necessary. With four outstanding multi-roling performers, a message both affirmative and defiant; and with a fierce joy that makes it a must-see.
Claire Dowie See Primark and Die Finborough
There’s more than a touch of Ken (even more, Daisy) Campbell about the way Dowie structures her circular storytelling. Here it’s at its most consummate, most artful and repays re-reading to catch Dowie at your throat.
Not even the world theatre powerhouse of the Coronet has hosted anything like this. Mario Banushi must be seen.
When Doll Common claims “Life’s like a storm. Don’t get in its way” one thinks of the stoicism of those in the eye of it, and their audience. A consummate revival.
The most entertaining life-saver you’ll see, whether you need it or not.
Through choreographic sweep, Tim Price crafts a necessary, traditional warning. A must-see with the finest last line since Good.
