FringeReview UK

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FringeReview UK 2026

A Doll’s House

The end, a question-mark, leaves a silence where you might hear a door banging three streets away.


Being Mr Wickham

In the afterglow of Austen’s 250, it’s an outstanding must-see.


Dear Liar

Stella Powell-Jones and her team make the strongest possible case. A must-see for all lovers of theatre, wit, and wincing put-downs.


Godot’s To-Do List, Krapp’s Last Tape

A performance of lessness writ large: a man shrinking from his environment, the memories taking over and kicking Krapp’s mere organic matter out.


Les Liaisons Dangereuses

A magnificent production – satisfying in so many ways.


Mother Courage and Her Children

Brecht’s ferocious message that those who seek profit from war are often its victims too is driven home in the weight of dropped bodies, and Michelle Terry’s outstanding performance.


Nayatt School Redux

Whatever they are, you hope The Wooster Group haunts us forever.


Summerfolk

We need Summerfolk. Sided and slant, this version is a must-see. And almost as much as Chekhov, we need more Gorky.


The Gambler

Chiten Theatre intensifies to a point of light here something barbarous, atavistic, and goes to the heart of nihilism. Still outstanding.


The Old Ladies

A small classic, if not on the scale of The Truth About Blayds, it’s yet another gem. And a must-see.


The Playboy of the Western World

An impossible balance, but having seen Playboy at farce-speed, it’s good to weigh in with a loquacious backbeat of despair. Wholly absorbing.


The Waves

A mostly outstanding – and theatrical - adaptation of an almost impossible-to-adapt novel.