FringeReview UK

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The end, a question-mark, leaves a silence where you might hear a door banging three streets away.

In the afterglow of Austen’s 250, it’s an outstanding must-see.

Stella Powell-Jones and her team make the strongest possible case. A must-see for all lovers of theatre, wit, and wincing put-downs.

A magnificent production – satisfying in so many ways.

Whatever they are, you hope The Wooster Group haunts us forever.

We need Summerfolk. Sided and slant, this version is a must-see. And almost as much as Chekhov, we need more Gorky.

Chiten Theatre intensifies to a point of light here something barbarous, atavistic, and goes to the heart of nihilism. Still outstanding.

A small classic, if not on the scale of The Truth About Blayds, it’s yet another gem. And a must-see.

An impossible balance, but having seen Playboy at farce-speed, it’s good to weigh in with a loquacious backbeat of despair. Wholly absorbing.

A mostly outstanding – and theatrical - adaptation of an almost impossible-to-adapt novel.