FringeReview UK

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FringeReview UK 2025

A Good House

A play deeper than the satire which propels it. And subtly layered enough to brush the epic. A stunning smack between the eyes and a must-see.


A Moon for the Misbegotten

An outstanding, unmissable production.


Bacchae

An absolute must-see.


Billy Barrett and Ellice Stevens After The Act Royal Court Downstairs

Most of all this musical is necessary. With four outstanding multi-roling performers, a message both affirmative and defiant; and with a fierce joy that makes it a must-see.


Cymbeline

One of the most uneven of late plays, its heights have to be seen; and though there’s pitfalls, this absorbing production surmounts most. A feat.


Hamlet

Kate Waters ensures the fight scene’s a suitable climax to Robert Hastie’s fleet production.


Mistero Buffo

A thoroughly worthwhile revival, it still kicks and thrills in equal measure. Highly recommended.


Playhouse Creatures

When Doll Common claims “Life’s like a storm. Don’t get in its way” one thinks of the stoicism of those in the eye of it, and their audience. A consummate revival.


Rhinoceros

Don’t miss this. It’s provoking, wholly in spirit, with moments of great power.


Robert Khan and Tom Salinsky The Gang of Three

The wittiest, wisest play I’ve seen this year, it deserves a long run, not least so we can absorb its lessons. Unmissable.


Sean Daniels The White Chip

The most entertaining life-saver you’ll see, whether you need it or not.


Son of a Bitch

Anna Morris heightens tragedy and misogyny with gags, humour and farcical horror. Do catch this fleeting gem, running for just two more weeks before it touches down


The Brightening Air

Redemption has long been a McPherson theme. Here, you have to dig as deep as that well, and bring in a lot of muck. Drinking it off isn’t always best-timed. Or by the right people. McPherson is haunted and haunter.


Tim Price Nye

Through choreographic sweep, Tim Price crafts a necessary, traditional warning. A must-see with the finest last line since Good.