FringeReview UK

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FringeReview UK 2026

Aether

Exciting, boppy, mind-enlarging, sometimes thrilling


After Miss Julie

Provocative, absorbing take on Strindberg’s 1888 masterpiece. Fine cast led by Liz Francis make much of demob denouements.


Arcadia

As bright as stained crystal and warm as the filament Thomasina reaches for: outstanding.


Being Mr Wickham

In the afterglow of Austen’s 250, it’s an outstanding must-see.


Dance of Death

Strindberg to live with? Who’d have thought of that? An outstanding must-see. If you can’t get there, tune in to the livestream. This demands a wider audience.


Dear Jack, Dear Louise

The war’s an all-too-convincing plotter. Absorbing, a must-see.


Dear Liar

Stella Powell-Jones and her team make the strongest possible case. A must-see for all lovers of theatre, wit, and wincing put-downs.


Godot’s To-Do List, Krapp’s Last Tape

A performance of lessness writ large: a man shrinking from his environment, the memories taking over and kicking Krapp’s mere organic matter out.


Heart Wall

One of the most remarkable reveals in recent theatre, and makes this play an absolutely compelling must-see.


I’m Not Being Funny

With a few knots resolved, this might be a mini-classic. A must-see.


Last and First Men

A brave and bewitching venture, typically unique to this space.


Magic

Brave, timeless, and troubled, Magic sometimes refuses to give up its secrets too. Absorbing.


Mother Courage and Her Children

Brecht’s ferocious message that those who seek profit from war are often its victims too is driven home in the weight of dropped bodies, and Michelle Terry’s outstanding performance.


Nayatt School Redux

Whatever they are, you hope The Wooster Group haunts us forever.


Summerfolk

We need Summerfolk. Sided and slant, this version is a must-see. And almost as much as Chekhov, we need more Gorky.


The Dasslers

The Dasslers wields a potential beyond its current limitations – both in this brief production and in its current form. And Radford, clearly setting out his dramatic stall in history’s cross-currents, is a voice to watch.


The Gambler

Chiten Theatre intensifies to a point of light here something barbarous, atavistic, and goes to the heart of nihilism. Still outstanding.


The Old Ladies

A small classic, if not on the scale of The Truth About Blayds, it’s yet another gem. And a must-see.


The Rat Trap

Unmissable.


The Rivals

As polished a Sheridan gem as I’ve ever seen.


The Waves

A mostly outstanding – and theatrical - adaptation of an almost impossible-to-adapt novel.


Two

As fine a revival as you’re likely to see in London or the South. It's a classic that, like Road, is more political as it ages gracefully.


Vincent in Brixton

An outstanding revival, not least for the quiet blaze between Niamh Cusack and Jeroen Frank Kales, but with a revelatory supporting cast