FringeReview UK
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FringeReview UK 2026
Provocative, absorbing take on Strindberg’s 1888 masterpiece. Fine cast led by Liz Francis make much of demob denouements.
Strindberg to live with? Who’d have thought of that? An outstanding must-see. If you can’t get there, tune in to the livestream. This demands a wider audience.
Stella Powell-Jones and her team make the strongest possible case. A must-see for all lovers of theatre, wit, and wincing put-downs.
Godot’s To-Do List, Krapp’s Last Tape
A performance of lessness writ large: a man shrinking from his environment, the memories taking over and kicking Krapp’s mere organic matter out.
One of the most remarkable reveals in recent theatre, and makes this play an absolutely compelling must-see.
Mother Courage and Her Children
Brecht’s ferocious message that those who seek profit from war are often its victims too is driven home in the weight of dropped bodies, and Michelle Terry’s outstanding performance.
We need Summerfolk. Sided and slant, this version is a must-see. And almost as much as Chekhov, we need more Gorky.
The Dasslers wields a potential beyond its current limitations – both in this brief production and in its current form. And Radford, clearly setting out his dramatic stall in history’s cross-currents, is a voice to watch.
Chiten Theatre intensifies to a point of light here something barbarous, atavistic, and goes to the heart of nihilism. Still outstanding.
A small classic, if not on the scale of The Truth About Blayds, it’s yet another gem. And a must-see.
A mostly outstanding – and theatrical - adaptation of an almost impossible-to-adapt novel.
As fine a revival as you’re likely to see in London or the South. It's a classic that, like Road, is more political as it ages gracefully.
An outstanding revival, not least for the quiet blaze between Niamh Cusack and Jeroen Frank Kales, but with a revelatory supporting cast


























