FringeReview UK
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FringeReview UK 2025

Emma Wilkinson-Wright is unnervingly close to the pulse of how real this is. A hidden gem.

It’s impossible to believe Sienna doesn’t believe Emily’s not part of this at some level, and by the end, you’ll think so too.

One of the most uneven of late plays, its heights have to be seen; and though there’s pitfalls, this absorbing production surmounts most. A feat.

Death & Co. The Laurel and Hardy of Suicide, the Little and Large of it Do see this timely, painfully funny, and absorbing new play.

Steve Coogan reigns supreme, and a cast like John Hopkins then Giles Terera are a gift to both Coogan and the show.

For a bijou summer in a bottle, this can’t be beaten. Exquisite, painfully funny, and hinting at the depths Mackenzie found to his own chagrin. A gem.

Natasha Cotriall (God Save My) Northern Soul
Time will deepen the shadows and writer/actor Natasha Cotriall shows this in the very last moment.

Stephen Sondheim, David Ives Here We Are
Altogether this mightn’t be in the top tier of Sondheim musicals, but it’s one of the most interesting, even profound, and Sondheim exits with a rapt question-mark. Unmissable.

The Chaos That Has Been and Will No Doubt Return
It’s hard not to love this exuberant 75-minute romp through Luton’s urban sprawl. It’s both exuberant and serious, warm and yet with a chill undercurrent of deprivation

Do see this particularly for an outstanding performance from Burrows and an exceptionally fine one from Woodhouse. This adaptation remains an exhilarating reminder of what a difference a century makes.