FringeReview UK

Genre Filter:

Peter Hamilton Dyer carries this celebration of the conscience to be fully human

Did I say sucker-punch? It’s what the Orange Tree do every time.

In several ways, this is about as good as it gets.

We’re unlikely to see a better production of this still rarely-performed disturber of ourselves.

It must be seen

Again, it must be seen

It’s unlikely we’ll get a cleaner version, or a more absorbing production any time soon

Cusack and McCormack give the performances of their lives

They compel attention, they demand we follow every sigh

Rodrigues is a dramatist we need to see far more of.

Speaks with a fierce innocence

A triumph for all concerned. Juliet Stevenson even gains in stature. Icke’s last production could hardly go better than this.

Florian Zeller's masterpiece, in a production and central performance that would do it justice anywhere.

A groundbreaking production. Even outside its unique terms it’s outstanding.

Almost stupefying, but outstanding.

An explosively powerful play

We’re launched into a necessary world