FringeReview UK
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FringeReview UK 2024
A necessary, engaging, original variation on finding your voice: and a theatrical coup. Acting, writing, directing, video, lighting and tech support, indeed singing are first class. A gem.
A definitive telling of that rarest thing, an uplifting Dostoevsky tale. It’s unlikely to be rendered better than this.
Greenhouse Festival LAMDA Festival New Directors in association with Orange Tree
Every one of these productions could enjoy a run at the Orange Tree: they’re exciting and accomplished.
I’ve never seen a Winnie more ordinary, one without those strange transcendental inflections. Catherine Humphreys isn’t flat: she rises to anguish, though it’s one of realism. I’m still not quite sure what’s been removed. But I’m very glad I’ve seen it.
Heart’s Desire/L’Amore Del Cuore
Anyone admiring Churchill, ferocious comedy or excited by a rare UK foray into Italian theatre must see this.
Mnemonic is treasurable, eloquent, a rare passport. It remembers what hope, connectedness and peace smelt like. It’s worth remembering that.
Essential for anyone interested in Brecht or 20th century drama, it’s far more: starkly entrancing, then engrossing over 110 minutes.
This production carries one truth that refreshes: strip all the directors’ concepts and editing, and for once truth will set Ibsen, and ourselves as free as it imprisons its characters. Outstanding.
This production reminds us it’s often the least theatrical, least tractable works that break boundaries, glow with an authority that changes the order of things.
This is the greatest one-man performance I’ve seen, said a Chekhov-immersed director of 45 years’ experience next to me. Yes.
