FringeReview UK

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The most absorbing play of the season so far.

Emphatically theatre worth doing, worth attending, worth fighting to clarify and worth being changed for.

Its claustrophobia overwhelms and moves, whilst leaving Dead Centre room for yet another slant on Ilya Kaminsky’s imaginary.

An opaque, compelling gem from Det Norske Teatret and its director Horn; and the wonderful Coronet.

Not even the world theatre powerhouse of the Coronet has hosted anything like this. Mario Banushi must be seen.

Compelling and required viewing.

It’s intersectional, it’s personal, it’s interactive: all great reasons to see this play: unless you’re a board member of BP, or the government.

It begs questions: what couldn’t we do, if placed outside our own comfort station in life? Essential theatre. essential questions. A gem.

Experimental, poetic, slow, and precise