FringeReview UK

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FringeReview UK 2020

Amsterdam

Did I say sucker-punch? It’s what the Orange Tree do every time.

Cyprus Avenue

Devastating drama about the DNA of bigotry played as surreal farce.

Drawing the Line

Terrific, a harrowing education.

Flowers for Mrs Harris

A must-see.

Hamlet

In Michelle Terry’s quicksilver, quick-quipping Hamlet, much has been proved, from interpretive to gender fluidity in tragic action, that sets a privilege on being in at a beginning.

I and You

Will leave you in a heap and wonder what else Lauren Gunderson has written that comes near this.

Jane Eyre

You’ll never see a better adaptation of this classic

Jesus Christ, Superstar

A sovereign production, unlikely to be equalled for the foreseeable

Joseph And The Amazing Technicolor Dreamcoat

A salutary reminder of how a great musical talent and collaboration started

One Man, Two Guvnors

Outstanding. An immediate comic classic.

Signed, Sealed, Delivered

A unique take on the isolation foisted on all of us

The Phantom of the Opera

The Albert Hall’s sovereign production, unlikely to be surpassed particularly with the special encore.

Treasure Island

First-rate theatre. In Joshua James’ Ben Gunn and above all Pasy Ferran’s Jim, we see stars rising quicker than Arthur Darvill’s superb Silver can point them out.

Wild

Theatrically the most thrilling end to any Bartlett play

Wonderland

Outstanding. Surely the definitive study of the dignity of physical labour, and breaking of its amity.