FringeReview UK
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FringeReview UK 2025

Emma Wilkinson-Wright is unnervingly close to the pulse of how real this is. A hidden gem.

There’s nothing more charming or endearing in the West End this summer.

Claire Dowie Adult Child/Dead Child Finborough
Claire Dowie’s never mellowed, and remains essential: taut, inordinate, alone, unreconciled. In other words, see it.

Claire Dowie H to He (I’m Turning into a man) Finborough
A must-see for anyone who loves breakthrough: genre-defying, then genre-defining theatre.

Claire Dowie See Primark and Die Finborough
There’s more than a touch of Ken (even more, Daisy) Campbell about the way Dowie structures her circular storytelling. Here it’s at its most consummate, most artful and repays re-reading to catch Dowie at your throat.

Khawla Ibraheem A Knock on the Roof
What and who can you choose is something more people are forced to decide as the century rolls. But Mariam’s plight is specific, ongoing, now far worse and essential viewing.

Natasha Cotriall (God Save My) Northern Soul
Time will deepen the shadows and writer/actor Natasha Cotriall shows this in the very last moment.

Natasha Cottriall (God Save My) Northern Soul
Time will deepen the shadows and writer/actor Natasha Cottriall shows this in the very last moment

Anna Morris heightens tragedy and misogyny with gags, humour and farcical horror. Do catch this fleeting gem, running for just two more weeks before it touches down

Alastair Whatley takes the joy of the sorrow, and makes it his own. Unmissable if you can squeeze in.