FringeReview UK
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FringeReview UK 2016
Motherhood:(Un)speakable, (Un)spoken
Ninety seconds into this newly-revised one-woman play, Joanna Rosenfeld - emerging in a poke of fingers from a cagoule of brown paper - over-voices herself giving witness to tens of verbatim experiences we hear. This tells us the baby’s a parasite, sucks all your nutrients, calcium from your teeth for instance, causes injury, often permanent, can kill. This is - literally - epic interior theatre.
Arguably, no single person in English theatre has a better understanding and presents a fuller expression of physical theatre than George Dillon. His vocal range is phenomenal whilst his physical presence is captivating. Superlatives become redundant.
The Comedy About a Bank Robbery
The Comedy About a Bank Robbery redefines the category, by edging beyond even recent work and revealing a classic structure entering a hall of mirrors and going mad. The musical as well as general ensemble is the most remarkably timed I’ve ever seen in a theatre, and the set designs and shifts the most frantically split into milliseconds. This is an outstanding and redefining farce in every way.