FringeReview UK
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FringeReview UK 2018
This is sweet, fleet story-telling with just the right amount of pitch and yaw for anyone to take, without it becoming too dark or didactic. Ten-year-old Lola’s engaging, and in Natalia Hinds’ hands utterly believable, energetically inhabited with a sense of fun clearly relished by this revelatory actor.
There But For the Grace of God (Go I)
A rare instance of an actor knowing exactly how to direct himself. It’s a super-Fringe show well worth reviving, and Welsh clearly puts his life into it.
