FringeReview UK

Peter Hamilton Dyer carries this celebration of the conscience to be fully human

Hugely absorbing it’s entertaining too.

Amos Gitai’s curating hope from the ruins, impelling the audience to construct a narrative.

Prebble’s one antidote for these distracted times.

A phenomenally well-written first play

A fine piece, skidding along silicon into our dark

An exemplary, scrupulous production so starkly contemporary, it makes Hunger contemporary forever

Cusack and McCormack give the performances of their lives

A searing arc of a drama based on true events

Rodrigues is a dramatist we need to see far more of.

In nearly every way an outstanding pair of productions.

There’s nothing like the Exchange’s approach: their bi-lingual virtuosity burns questions.

An outstandingly theatrical re-visioning of a film

A groundbreaking production. Even outside its unique terms it’s outstanding.

This spectacular production beats with a fervour and purpose few adaptations achieve. Ellams has made Three Sisters new.

The finest new play from the Court this year, gleaming and deadly

A mostly terrific revival.