FringeReview UK
Years: 2024 2023 2022 2021 2020 2019 2018 2017 2016 2015
FringeReview UK 2022
![](https://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/OUTSTANDING_SHOW.png)
Howard Brenton touching eighty is at the height of his powers. Tom Littler has assembled a pitch-perfect cast, reuniting two from his outstanding All’s Well. This too.
![](https://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/MUST_SEE_SHOW.png)
A wonderful score and musicians, above all Bea Segura’s titanic act of shrivelling, make this a must-see.
![](https://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/MUST_SEE_SHOW.png)
Rarely has a Cordelia and Fool scaled such equal terms with such a Lear, rendering a kind of infinity.
![](https://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/MUST_SEE_SHOW.png)
A Crucible of searing relevance; by grounding it in its time, it scorches with clarity.
![](https://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/MUST_SEE_SHOW.png)
There’s no finer dramatisation of India’s internal conflicts. Shubham Saraf’s Gandhi-killer Godse stands out in this thrilling ensemble and storms it too.
![](https://fringereview.co.uk/wordpress/wp-content/themes/fringereview/img/badges/new/HIDDEN_GEM.png)
Ibsen’s elusive masterpiece is so rarely performed seeing it is an imperative. Played with such authority as here, in Norwegian and English, it’s not a luxury but a must-see.