Review: Evangeline

First-rate Fringe music-theatre. Artistic content, particularly songs and verse, as well as direction and acting ensures this will clearly travel. Do see it.


Review: The Choir of Man

The Choir of Man brings us joy whilst bursting with talent. But it’s a timely reminder of what’s at stake.


Review: Waitress

Hope Fletcher raises soaring music theatre, an ounce of gold in the throat and stars six inches above it.


Review: Deep Azure

One of the few moments of Peter Brooks’ term “Holy Theatre” has arrived at the Wanamaker. A must-see.


Review: Glorious!

Wendi Peters sends you out singing: with all the right notes in the wrong order. Solidly recommended.


Review: American Psycho

If you can queue, you’ll be in good company. Jean queued for Les Mis at 6.30 am.


Review: Cable Street

This is an event. Break in (without breakages!) if you have to, to see this. You’ll be standing in the aisles to swarm the barricades.


Review: Sunny Afternoon

Joe Penhall’s book is outstanding and frankly puts most musical biopics in the shade. His wit and deft charactering of core band and satellites who interact with the complexity of a play, the way the songs move the narrative. Ray Davies’ storytelling and songs are self-recommending. Sunny Afternoon still deserves those awards.


Review: Cockfosters

Fizzing, witty uber-London without Uber and smart without telling us it is. Blissfully recommended.


Review: Here & Now

With young talent like this, no-one need worry just yet about British musical theatre. And that is the best reason to see this silly yet warm-hearted pre-Christmas cracker.


Review: The Lightning Thief

There’s talents you’ll want to see and hear. And a stunning set whose production values spring surprises for the audience too. Highly recommended.


Review: Sense & Sensibility

Austen fans can feel they’re delivered the story’s heft, if not all its socially pinched circumstance. It’s a small gem.


Review: How to Win Against History

This is your chance to immerse yourself in an uproarious, flamboyant, flashy, lavish, and grandiose production about a little-known historical character that now you will never forget.


Review: I’m Autistic – A New Musical

"I’m Autistic strikes the perfect balance between education, emotion, and experience, leaving us with an equally thought-provoking and entertaining production."


Review: Hot Mess

The musical is fun, silly, and a great piece of fringe happiness.


Review: Daniel Cainer: Topical

A gentle, companionable hour of music and storytelling that feels like being welcomed into Daniel Cainer’s living-room.


Review: Level Up!

Levelling up but not quite at the boss stage yet


Review: This Side of Life

An enjoyable experience to watch young people blossom at their craft and a fun show to see.


Review: Come From Away

Go see “Come From Away”.  Performed by an outstanding cast, show will bring you to tears, put an ear-to-ear smile on your face, tug at your heart, and feel grateful for the goodness and generosity of ordinary people,.


Review: Rugburn

What happens when you’ve built a glittering life on a foundation of unresolved shame and perfectly upholstered defences begin splitting at the seams?


Review: The Uncrackable Case

How do you like your eggs in the morning? Presumably not pushed off the castle parapet!


Review: Les Misérables

There’s not enough adjectives left to praise this. But there is a verb phrase: see it!


Review: JEEZUS!

Falling for Jesus is a mortal sin. But damn, it feels good!


Review: Extraordinary Women

For a bijou summer in a bottle, this can’t be beaten. Exquisite, painfully funny, and hinting at the depths Mackenzie found to his own chagrin. A gem.


Review: The Rubbish Puppets!

Trash Transformed! Getting out of bed can be uneventful but not for this teenager - prepare to see trash become treasure...Introducing 'The Rubbish Puppets.'


Review: Top Hat

The most joyous musical of the summer. And it has a summer heart that never cloys. A sizzling must-see.


Review: Girl from the North Country

Girl from the North Country freights a world in a steam whistle. The sheer punch of talent doesn’t come much greater than this.


Review: Cruel Intentions

If ever you’ve been crossed in love, double-crossed yourself, or just crossing through, then this is for you. It’s June’s sizzle, all the way to Six, this September.


Review: Stephen Sondheim, David Ives Here We Are

Altogether this mightn’t be in the top tier of Sondheim musicals, but it’s one of the most interesting, even profound, and Sondheim exits with a rapt question-mark. Unmissable.


Review: Rocky Horror Show

An excellent revival. The strength of this cast led with a special wit by Clune makes it absolutely worth seeing however many times you have. Otherwise, just see it!


Review: Calamity Jane

See this for the onstage musicians and above all Carrie Hope Fletcher giving Calamity soul as well as heart. Highly recommended.


Review: Cry-Baby

Easily the most joyous musical we’ll see this side midsummer, Cry-Baby in this production blazes fit to set another fire in Dalston


Review: Charlie and the Chocolate Factory

Brighton Theatre Group is a chocolate factory all on its own. Nothing in Wonka is as magical as the vision, reach and grasp of this company. It’s perhaps their finest production yet.


Review: Good Grief

A contemplation upon the ideal of grief and whether it benefits you in the long run.


Review: Treasure Island

First-rate youth theatre, creatives and cast excel: detailed, funny, not to be taken over-seriously, then quite a bit more so.


Review: Ballet Shoes

A paean to wonder and possibility, dreaming to some purpose. Like other winter growths, this should prove a hardy perennial, evergreen as the book.


Review: Stranger Than the Moon

Essential for anyone interested in Brecht or 20th century drama, it’s far more: starkly entrancing, then engrossing over 110 minutes.


Review: Napoleon: Un Petit Pantomime

A sure-fire miniature epic, spanning history and damn lies. Sublimely written and with a superb cast both seasoned and fresh, the finest concentration of panto this season.


Review: {Title of Show}

Delicious, certainly, truly witty and fast-moving, never indulgent about self-indulgence, this is a sure-fired soufflé


Review: Dementia the musical

A fascinating exploration theatrically of the condition of dementia, a very important topic to many within Scotland.


Review: Dear Evan Hansen

In Ryan Kopel and Lauren Conroy two future stars are born within a first-rate cast led by the exquisitely moving Alice Fearns; and Kopel with such a range is someone whose next role will probably surprise even him. Two and half hours blaze by like a first date. Outstanding.


Review: Hairspray

A memorable ensemble, in an intermittently memorable musical.


Review: Princess Essex

The more we see of such uplifting, uproarious, yet probing works the better.


Review: Disco, Baby?

A musical with rhythm in its message