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Durham Fringe Festival 2024

Green Knight

Debbie Cannon

Genre: Solo Show, Storytelling

Venue: Palace Green Stretch Tent

Festival:


Low Down

Christmas at Camelot: A monstrous green warrior presents an unwinnable challenge to Arthur’s finest knight. But what if the tale was narrated by the woman at its heart? Experience a one-woman adaptation of the medieval poem Sir Gawain and the Green Knight, crafted and performed by Debbie Cannon, winner of the Female Actor Award at Buxton Fringe 2018. Directed by Flavia D’Avila, with dramaturgy by Jen McGregor.

Review

“Sir Gawain and the Green Knight” is a stronly delivered solo storytelling performance exploring the medieval story of Sir Gawain’s trial of honour, bravery, and integrity, posed by the enigmatic Green Knight. The narrative delves into themes of chivalry, temptation, downfall, humility, and the pursuit of virtue.

Set in the stretch tent at the Durham Fringe, the outdoor venue provides a comfortable, shaded setting for this legendary tale. Debbie Cannon, our storyteller, offers a carefully crafted rendition, blending theatrical flair with a personal touch. Her performance, delivered from the vantage point of witness experience, sets the scene with a prologue that explains her presence and purpose in sharing this cautionary tale from Arhurian legend.

Cannon’s delivery is clear and commanding, effectively holding the outdoor space even with the occasional hum of nearby car engines and Cathedral bells. She invites the audience to imagine the royal court of Camelot, transporting us into the mythological past. The script vividly evokes scenes and the sharply written narrative is supported with minimal but effectively utilized props.

At times, the performance leans into melodrama, and a more modulated delivery with less reliance on peak volume and exaggerated physical expression could enhance the overall impact. Characters would benefit from more defined physicality, posture, and vocal range, though the Green Knight is particularly well-portrayed. And the central character, our host-narrator give’s a woman’s perepctive on the proceedings and this is done with depth and confidence. Cannon hold’s the eyes of the audience throughout.

This performance explores deeper themes such as the complex relationship between war, battle, glory, and success, questioning whether true glory and victory are found in humility after a downfall. Cannon’s interpretation brings a distinctly feminine perspective to the tale, introducing a woman’s desir and strength into the larger narrative. This approach adds a fresh angle to the story, occasionally positioning Gawain as a supporting character in his own tale. While this creative choice may not resonate with all traditionalists, it offers new insights.

In summary, “Sir Gawain and the Green Knight” is an engaging storytelling performance, thoughtfully delivered by Debbie Cannon. It immerses the audience in the legendary Arthurian age while inviting reflection on timeless human themes. Cannon’s assured presence and interpretation make this a noteworthy experience at the Durham Fringe.

Published

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Debbie Cannon