Review: Don’t Stop Believing
Shine’s show is no doubt a crowd pleaser, and she’s taken what could easily be perceived as a gimmick and created something enjoyable and fun.
Erin Murray Quinlan is a published playwright and composer with credits in NYC, London, and beyond. She is an amateur beekeeper/American civil war buff/ astronomer, and a proud solver of Caine’s Jawbone.
Review: Don’t Stop Believing
Shine’s show is no doubt a crowd pleaser, and she’s taken what could easily be perceived as a gimmick and created something enjoyable and fun.
Review: Bitty-Bat !
Jeffers’s mastery of the character seems effortless, but the amount of skill it takes to use those arms, manage in the flowing cape costume, and control facial expressions down to the tiniest detail is something once reserved only for cartoon characters.
Review: Boiler Room Six: A Titanic Story
Foreman’s story is a brilliant addition to the canon of Titanic literature, and indeed solo plays in general.
Review: Panto Macbeth
All in all, Panto Macbeth does exactly what it says on the tin. The company has created a riotous and delightful fifty-minutes of Fringe, so be the wicked thing, and go their way.
Review: Kelly Bachman: Patron Saint
Her presence is disarming and dry, and by the time you get three-quarter through and think you might be desensitized, she throws on her vestments and makes a knock-knock joke I genuinely worry will send me to hell for laughing as hard as I did.