Review: St Nicholas Emmanuel Sowicz Guitar Recital September 11th 2024
A consummate guitarist already marked - by many - for greatness.
Simon Jenner was born in Cuckfield in 1959. Failing everything except art, he learnt to fly instead: discovering poetry forestalled a career in airframes. Belatedly educated at Leeds, then Cambridge, his PhD was paradoxically in ’Oxford Poetry of the 1940s’. Simon’s been Director of Survivors' Poetry since 2003, and from 2008-10, also Royal Literary Fund Fellow, at UEL and Chichester. Simon’s poetry collections are About Bloody Time (2006), Wrong Evenings (2011), Two for Joy (2013) all from Waterloo. Perdika/Poet in the City brought out Pessoa (2009) and commissioned close translations of Propertius Elegies Book I. Agenda Edition’s Airs to Another Planet on music poems is forthcoming. In 2016 his poem ‘Peter Philips’ Part Book Talks to Breugel’ was a prize-winner in the National Poetry Competition. One of six Poet in the City Residencies, Hackney, which launched in 2014 also maked a turning point. It’s where the kernel of Simon’s first play has developed, now being developed by a Guildford company. One adptation of a novel based on First World War flying, and two other plays, one based on a friend’s sectioning, are in development. Simon also writes music criticism.
Review: St Nicholas Emmanuel Sowicz Guitar Recital September 11th 2024
A consummate guitarist already marked - by many - for greatness.
Review: BBC Prom 68 Britten A Midsummer Night’s Dream Garsington Opera
A triumphant revival, it’s still the most elusive of Britten’s major operas, easy to enjoy, still hard to fathom the melodic root of.
Review: 23.5 Hours
A worthy successor to Never Not Once, almost from the other side of the glass, it makes Crim one of the most visible and exciting of US dramatists.
Review: Greenhouse Festival LAMDA Festival New Directors in association with Orange Tree
Every one of these productions could enjoy a run at the Orange Tree: they’re exciting and accomplished.
Review: The Comedy of Errors
The most intelligent Comedy of Errors I’ve seen since the NT production of 2012 and truer to the play’s temper.