FringeReview UK
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FringeReview UK 2025
Emma Wilkinson-Wright is unnervingly close to the pulse of how real this is. A hidden gem.
There’s nothing more charming or endearing in the West End this summer.
Claire Dowie Adult Child/Dead Child Finborough
Claire Dowie’s never mellowed, and remains essential: taut, inordinate, alone, unreconciled. In other words, see it.
Claire Dowie H to He (I’m Turning into a man) Finborough
A must-see for anyone who loves breakthrough: genre-defying, then genre-defining theatre.
Claire Dowie See Primark and Die Finborough
There’s more than a touch of Ken (even more, Daisy) Campbell about the way Dowie structures her circular storytelling. Here it’s at its most consummate, most artful and repays re-reading to catch Dowie at your throat.
Natasha Cottriall (God Save My) Northern Soul
Time will deepen the shadows and writer/actor Natasha Cottriall shows this in the very last moment
Samuel Rees and Gabriele Uboldi Lessons on Revolution
It’s intersectional, it’s personal, it’s interactive: all great reasons to see this play: unless you’re a board member of BP, or the government.
Essential theatre, essential witness and mandatory for anyone who wants to know how human we have to be, from beginning to end.
The Chaos That Has Been and Will No Doubt Return
It’s hard not to love this exuberant 75-minute romp through Luton’s urban sprawl. It’s both exuberant and serious, warm and yet with a chill undercurrent of deprivation
A transfixingly beautiful production, with often superb acting, especially from Lara Manela
